Chapter 03 / The selection
After twelve distinct, buildable directions, the selection was not a vague blend: Mina Kuroda leads the visual expression. Fernanda Ruiz contributes Gallery and destructive-action clarity—only where that clarity does real product work.
Visual lead
Silver, cobalt, image-first, and restrained. Her direction gives Scenehand a premium-object language that makes the camera preview feel like the hero.
Clarity borrowed
Her contribution is deliberately narrow: selection, bulk actions, Save, and Delete should be legible on the first pass—especially when the user has a real clip to protect.
Decision rule
That separation is the whole synthesis. It protects Scenehand from becoming either a generic phone camera or a beautiful instrument that makes a user think too hard before saving a take.
See the original 12-direction review →Next: see the system run →